dana gioia can poetry matter
The first three essays in the book are seriously life changing.
Can Poetry Matter?
Let’s build a funeral pyre out of the desiccated conventions piled around us and watch the ancient, spangle-feathered, unkillable phoenix rise from the ashes.These groups have gradually become the primary audience for contemporary verse. They don’t publish literary reviews, just page after page of freshly minted poems.
The modernists, Epstein maintained, were artists who worked from a broad cultural vision.
The slow maturation of genuine creativity looks like laziness to a committee.
Occasionally a writer links up rewardingly to a social or political movement.
If they do not publish, or wait too long, their economic futures are in grave jeopardy.In art, of course, everyone agrees that quality and not quantity matters. It was a cross-section of artists and intellectuals, including scientists, clergymen, educators, lawyers, and, of course, writers. This is a must read. Eliot and Robert Bly, but I skipped many pieces about poets I don't know.This book showed me how much I didn't know about poetry. Nor was there a large captive audience of creative-writing students who bought books of contemporary poetry for classroom use. They also establish Dana Gioia as one of the foremost cultural observers of his generation.
If the audience for poetry has declined into a subculture of specialists, so too have the audiences for most contemporary art forms, from serious drama to jazz. When Dana Gioia's essay "Can Poetry Matter?" You're listening to a sample of the Audible audio edition.Something went wrong.
The most recent and celebrated of these revisionists is Joseph Epstein, whose mordant 1988 critique “Who Killed Poetry?” first appeared in Epstein essentially updated Wilson’s argument, but with important differences. Once poets began moving into universities, they abandoned the working-class heterogeneity of Greenwich Village and North Beach for the professional homogeneity of academia.At first they existed on the fringes of English departments, which was probably healthy. There is, in fact, little coverage of poetry or poets in the general press. The Catholic Writer Today: And Other Essays
Anyway, I have not researched this, so there's a good chance I'm blatantly wrong aboThis was an interesting book. They also tried, as serious intellectuals should but specialists often do not, to relate what was happening in poetry to social, political, and artistic trends. But bureaucracies, by their very nature, have difficulty measuring something as intangible as literary quality.
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Or, as Cyril Connolly more bitterly described it, “Poets arguing about modern poetry: jackals snarling over a dried-up well.” Anyone who hopes to broaden poetry’s audience—critic, teacher, librarian, poet, or lonely literary amateur—faces a daunting challenge. appeared in the Atlantic in 1991, it sparked a firestorm of debate and discussion over the role of the poet in today's world - a dialogue in which Gioia participated on radio, television, and in print. For most poets, the sustaining medium was not the classroom or the podium but the written word.If poets supported themselves by writing, it was mainly by writing prose. Our payment security system encrypts your information during transmission.
is an old-fashioned sort of literary book, part literary criticism, part social commentary, and part plain good reading.
: Essays on Poetry and American CultureCan Poetry Matter?
Since there are too many new poetry collections appearing each year for anyone to evaluate, the reader must rely on the candor and discernment of reviewers to recommend the best books.
From such statistics an observer might easily conclude that we live in the golden age of American poetry.The situation has become a paradox, a Zen riddle of cultural sociology. If I, like Marianne Moore, could have my wish, and I, like Solomon, could have the self-control not to wish for myself, I would wish that poetry could again become a part of American public culture. Millions of dollars in public and private funding are at stake.
Corporate VP-turned writer, Dana Gioia sparked heated national debate with his Atlantic essay, and later his book, titled Can Poetry Matter?
: Essays on Poetry and American CultureCan Poetry Matter? As Wilson finished his famous essay, Robert Frost, Wallace Stevens, T. S. Eliot, Ezra Pound, Marianne Moore, E. E. Cummings, Robinson Jeffers, H. D. (Hilda Doolittle), Robert Graves, W. H. Auden, Archibald MacLeish, Basil Bunting, and others were writing some of their finest poems, which, encompassing history, politics, economics, religion, and philosophy, are among the most culturally inclusive in the history of the language. Robinson Jeffers, for example, was fifty-four when he gave his first public reading. Almost no popular collections of contemporary poetry are available except those, like the Poetry reviewing is no better anywhere else, and generally it is much worse. This book made me want to run from poetry even more than I did before.I did not actually finish this book.
Most likely he or she either works for or aspires to work for a large institution—usually a state-run enterprise, such as a school district, a college, or a university (or lately even a hospital or prison)—teaching others how to write poetry or, on the highest levels, how to teach others how to write poetry.To look at the issue in strictly economic terms, most contemporary poets have been alienated from their original cultural function. Each of the arts must face the challenge separately, and no art faces more towering obstacles than poetry. appeared in the Atlantic in 1991, it sparked a firestorm of debate and discussion over the role of the poet in today's world - a dialogue in which Gioia participated on radio, television, and in print. Even poets who eventually took up academic careers spent intellectually broadening apprenticeships in literary journalism. Bringing the two groups under one roof has paradoxically made each more territorial.
If the book only consisted of those three essays...and the short spots on Ashbury and Atwood, I would've been more than content, five stars.
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